Irene Dunne and the 1931 Rose Bowl

The team captains, Alabama's Charles Clement and Elmer Schwartz of
Washington State, meet with Irene Dunne prior to the 1931 Rose Bowl.

The 1931 Washington State team that contended  against Alabama in the 1931 Rose Bowl was represented on the sideline by a promising young Hollywood actress, Irene Dunne.

A native of Kentucky, Dunne began her career in the 1920s on Broadway and her big break came in the starring role of Jerome Kern and Oscar Hammerstein II's musical Show Boat. She was "discovered" during a Chicago performance in 1929 and signed a contract with RKO and starred in her first movie the following year (Leathernecking).

Dunne and the Wash. State team.

Dunne was tapped as a sponsor for the Washington State Cougars as part of a publicity push for the young starlet. She posed for photographs with the team captains before the game at midfield and addressed the Cougar squad before the kickoff.

Although the stadium had been expanded to a new-capacity crowd of more than 84,500, inclement weather was blamed for a disappointing turnout of 65,000 for the game.

In a 1990 interview with the Spokane, Washington Spokesman-Review, Washington State tailback Tuffy Ellingsen recalled the team's encounter with Dunne.

"Before the game she came out and met in our huddle," he said. "Irene had a little speech. She said, 'We want good sportsmanship. We want good relations between the teams.' One of our guys said, 'We'd rather have good relations with you, Irene.'"

Washington State lost to the Crimson Tide 24-0.

Dunne's performance in Cimarron later that year earned her a nomination for the Academy Award for Best actress (she would go on to earn a total of five nominations but never won). She would go on to become a very popular screen heroine during the 1930s and 1940s starring in films such as Back Street (1932), Theodora Goes Wild (1936) and The Awful Truth (1937).

Pop Warner at Stanford

By the time Glenn Scobey Warner arrived in Palo Alto in 1924, he was already an institution. The 53-year-old coach known as "Pop" took over the Stanford football program after leading Cornell, Pittsburgh and, most famously, the Carlisle Indian School to gridiron success.

A trailblazer in the sport, Warner is credited with introducing a host of innovations that have become not simply commonplace but are the backbone of how the game is played. These include the unbalanced line, the backfield, the screen pass, the rolling block, the naked reverse and the practice of numbering plays.

Warner's success at Stanford was founded on his double wingback offense from which he befuddled defenses with "a bewildering set of spins, reverses, double reverses, fake reverses, runs from fake passes and passes from fake runs" as sportswriter Tim Cohane put it.

Alabama and Stanford battled
to a tie in the 1927 Rose Bowl

When Stanford contacted Warner in 1921 to move west and coach the Indians, he first sent a pair of his assistants to help the team transition to his approach. He himself arrived in 1924 and immediately took the team to the Rose Bowl (where they lost to Notre Dame). He returned to Pasadena twice more in the next three years including the 1927 game against Alabama that resulted in a 7-7 tie.

Warner was also an innovator. He is credited with the creation of shoulder and thigh pads and he was known to experiment with equipment to give his teams an edge. In the 1927 Rose Bowl he outfitted his team with silk pants in hopes it would make them faster and tougher to tackle.

Another innovation Warner used against Alabama was a zone pass defense. While the strategy didn't earn Stanford the victory, it was effective in stymieing the Crimson Tide aerial assault. Alabama attempted seven passes and completed only one.

After the 1932 season, Warner left Stanford and headed back east to coach Temple. In his nine years in Palo Alto he had collected a 71-17-8 record. He retired from coaching in 1938 with a lifetime 319–106–32 record. He was inducted into the College Football Hall of Fame in 1951.

Alabama's 1947 Homecoming

Photo via the Tuscaloosa Area Virtual Museum

The 1947 Alabama Homecoming Queen Sue Donegan parades before a sell out crowd of 25,000 at Denny Stadium atop the Crimson Tide's live elephant mascot. The football team was in the first year of Harold "Red" Drew's coaching tenure and faced a daunting LSU squad for the Nov. 22 contest.

Alabama's Harry Gilmer ran back LSU's first punt 92 yards for a touchdown less than three minutes into the contest and the Crimson Tide never looked back. The Tiger's ailing Y.A. Tittle was unable to mount a comeback and Alabama bested LSU 41-12. The victory earned the Crimson Tide an invitation to play in the 1948 Sugar Bowl.

The 1946 Tournament of Roses Parade

Film of the Tournament of Roses Parade in Pasadena on Jan. 1, 1946 prior to the game between Alabama and USC.

Washington's "Wildcat" Wilson

Wilson carries the ball against Alabama in the 1926 Rose Bowl.

George "Wildcat" Wilson was the University of Washington's all-everything player in the early 1920s. His stellar play lifted the Huskies to prominence in the Pacific Coast Conference.

During his three years with Washington the Huskies won 28 games, lost three, were tied thrice, and went to the Rose Bowl in 1925 and 1926. He also set the school's record for career touchdowns at 37 which still stands (it was tied by Joe Steele in the late 1970s).

George "Wildcat" Wilson

Wilson was a 60-minute player and handled the ball almost every play when on offense. With it in hand the 5' 11", 185 lb. speedster was a triple threat as he was able to rush, pass or kick with equal skill. Moreover he used the stiff-arm with disturbing effectiveness when he chose to run. He was also considered a formidable linebacker.

In 1925 he was named to Grantland Rice's All-American squad alongside Red Grange and his team earned an invitation to the Rose Bowl game to face Alabama. Wilson was having a day against the Crimson Tide but was knocked out of the game late in the second quarter and didn't return to play until the final period.

With Wilson in the game, Washington gained 317 yards and scored 19 points. With him on the sideline, the Huskies could only garner 17 yards and went scoreless. In that interim, Alabama scored 20 points. That proved to be the difference as the final whistle sounded. Alabama 20 - Washington 19.

Wilson was inducted into the College Football Hall of Fame in 1951, named to the All-Time Pacific Coast Team in 1969 and inducted into the Rose Bowl Hall of Fame in 1991.

The Harry Gilmer Newspaper Cartoon

Between 1928 and 1975, illustrator Bob Coyne was a staple of Boston sports scene, producing more than 15,000 cartoons and caricatures for various Beantown publications. When Alabama traveled to Massachusetts in November 1946 to play Boston College, Coyne produced this piece featuring the Crimson Tide's Harry Gilmer for The Boston Post. The Eagles defeated Alabama 13-7 at Fenway Park in Boston.

Johnny Mack Brown, The Crimson Tide's Cowboy Movie Star

Johnny Mack Brown was the photogenic star of Alabama's first Rose Bowl squad. The fleet-footed halfback was dubbed the "Dothan Antelope" and he ran for two touchdowns in the contest against Washington to garner the Most Valuable Player award. The performance in Pasadena was a prelude for a long career in Hollywood.

Johnny Mack Brown

Interestingly, Brown was "discovered" while in Alabama, not during the Crimson Tide's trip to California. A group of actors filming Men of Steel in Birmingham in 1925 met Brown after a game and urged him to take a screen test. After graduating from Alabama, Brown was offered a contract with MGM for $75 a week.

Brown was first touted as a romantic foil in silent films and was featured alongside Greta Garbo, Marion Davies as well as Mary Pickford in 1929's Coquette - a role that earned the actress an Academy Award for her performance.

The zenith of his pursuit to become leading actor for a major studio came in 1930 when he starred in King Vidor's Billy the Kid but the rapid rise of Clark Gable as the main lead for MGM curtailed his career. Brown went on to work as a character actor for several other major studios but his desire for leading roles led him to work for low-budget independent studios. It was there he resurrected his career as a star of B-movie westerns.

Brown eventually starred in no less than 127 Westerns and, during the heyday of the genre during the 1940s, he was consistently among the top ten money-makers for the independent studios and never ranked outside of the top ten in Box Office popularity polls.